Thank you so much for giving me access to the interiority of the Ruth Page complex on May 6th. These photos were the highlights of my project’s collection. To show my appreciation, I’ve enclosed an 8 1/2 x 11 inch B&W of your welcoming presence as well as an Edward Hopper tote bag.

Edward Hopper’s original oil on canvas, Nighthawks, was purchased by The Chicago Art Institute in the 1940s and is a museum staple. It depicts people in a downtown diner late at night. It is timeless and relatable. These folks share a space but are individuals, each deserving our attention.

This is how I felt while photographing that day; even though the studios were unoccupied, there was a glow which bounced off of the walls and floors and through the windows. I believe that you, Victor, Austin and others whose pathways crossed mine demonstrate that the Ruth Page legacy is alive and well in every way. As I produced my photos, this is the story which materialized. I decided that the basement studio photo was a fitting container for this message. It’s one of kind just like you.

Again, Thank you!

May 6th was a remarkable day. Stepping into The Ruth Page Center For the Arts felt like traveling back in time. Kaelen greeted me warmly, offering a quick introduction to spaces he thought I might want to photograph, explaining how to find them, and assuring me studio doors were unlocked. He told me to feel free to explore on my own. Later, Victor Alexander walked in. I photographed him but now hesitate to develop his images. I wanted to see him in motion. I considered asking him to assume a dance pose but quickly put my thought in check. His permission to photograph the facility that day was gift enough.